Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
Duration: 4:05
Posted: Oct 15, 2021
Posted: Oct 15, 2021
Aug 24, 2018 · Simple answer that works - first, set your speakers so that pink noise at -20dBFS average (or LKFS if measured with a loudness meter) is equal ...
Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Apr 21, 2017 · Mastering is more like surgery where the work is more precise, and you're narrowed down to making only two tracks sound they're best.
Mar 2, 2010 · If you add sum two signals that are identical in level, the resulting level will increase by 6 dB. So if you have a guitar track and a piano ...
May 22, 2011 · I find a lot of conflicting info regarding this, and I'm sure there's no specific rule, but I would like to have some guidelines to follow.
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Jul 30, 2019 · Creating a Pre-Master: Most mastering engineers are happy when I send mixes that peak at around -5 to -3. Whatever peak I choose, ...