Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...

Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...

Mar 18, 2021 · We make mixing and mastering decisions based on the material, how it was arranged, how it was recorded, and the goal of how we want it to sound.

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Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...

Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...

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Posted: Oct 15, 2021

Jul 30, 2019 · Why does my mix sound good in my headphones but bad when I play on speakers? ... Your final mix should have levels peaking between -6.0 dB and - ...

Nov 29, 2022 · Your final mix should have levels peaking between -6.0 dB and -3.0 dB. Most mastering engineers recommend keeping the loudest part of a mix at – ...

The 1 dB rule is a valuable technique for creating balanced mixes from even the busiest of arrangements. Use this method for easier mixes.