Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
Duration: 4:05
Posted: Oct 15, 2021
Posted: Oct 15, 2021
Nov 29, 2022 · Most producers say it's best to mix a song in the range of -3 to -6 dB before mastering. Should the volume of your mix stay in this range for ...
Jul 30, 2019 · Creating a Pre-Master: Most mastering engineers are happy when I send mixes that peak at around -5 to -3. Whatever peak I choose, ...
Apr 21, 2017 · Mastering is more like surgery where the work is more precise, and you're narrowed down to making only two tracks sound they're best.
Mar 22, 2010 · I do have some questions regarding desired dB levels for my mixes however. I should point out that I use Logic mostly for recording audio. I'm ...