Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Duration: 33:30
Posted: Jul 18, 2022
Posted: Jul 18, 2022
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
Mar 22, 2010 · I do have some questions regarding desired dB levels for my mixes however. I should point out that I use Logic mostly for recording audio. I'm ...
Duration: 4:05
Posted: Oct 15, 2021
Posted: Oct 15, 2021
Nov 29, 2022 · Your final mix should have levels peaking between -6.0 dB and -3.0 dB. Most mastering engineers recommend keeping the loudest part of a mix at – ...
Sep 11, 2020 · Solved: I record speeches quite regularly on a wireless microphone that allows me record at 0 dB and -12 dB simultaneously from the same lav ...
Nov 10, 2021 · In a fixed point digital audio system this is 0 dBFS—decibels full scale. ... Mix with a Crest Factor of 12 dB ... Mix with a Crest Factor of 10 dB.