Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...

Oct 9, 2022 · It's every 10 dB of an increase represents 10x increase in sound wave intensity. The rest sounds interesting though! Upvote 2. Downvote Share.

Duration: 33:30
Posted: Jul 18, 2022

Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...

Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...

Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...

Sep 11, 2020 · Solved: I record speeches quite regularly on a wireless microphone that allows me record at 0 dB and -12 dB simultaneously from the same lav ...

Mar 22, 2010 · I do have some questions regarding desired dB levels for my mixes however. I should point out that I use Logic mostly for recording audio. I'm ...

Duration: 4:05
Posted: Oct 15, 2021

Jul 30, 2019 · Creating a Pre-Master: Most mastering engineers are happy when I send mixes that peak at around -5 to -3. Whatever peak I choose, ...