Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
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Posted: Oct 15, 2021
Posted: Oct 15, 2021
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
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Jul 30, 2019 · Creating a Pre-Master: Most mastering engineers are happy when I send mixes that peak at around -5 to -3. Whatever peak I choose, ...
Mar 2, 2010 · If you add sum two signals that are identical in level, the resulting level will increase by 6 dB. So if you have a guitar track and a piano ...
Aug 24, 2018 · Simple answer that works - first, set your speakers so that pink noise at -20dBFS average (or LKFS if measured with a loudness meter) is equal ...
I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your ...