Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Duration: 4:05
Posted: Oct 15, 2021
Posted: Oct 15, 2021
Oct 9, 2022 · It's every 10 dB of an increase represents 10x increase in sound wave intensity. The rest sounds interesting though! Upvote 2. Downvote Share.
Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
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Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Jul 30, 2019 · Generally a safe spot is around -0.1 to -0.3dB FS. · You don't want to hit a point where you're peaking, as that will introduce distortion, ...
Mar 2, 2010 · If you add sum two signals that are identical in level, the resulting level will increase by 6 dB. So if you have a guitar track and a piano ...
I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your ...