Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Jul 18, 2002 · I often try to mix vocals while playback is very quiet - 50 - 60 dB or so. That is "conversational" volume, and often lets you get a vocal that ...
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Posted: Oct 15, 2021
Posted: Oct 15, 2021
Apr 21, 2017 · A trick i use is to set the Kick to -12dB and then never touch that fader again. The Kick will then be the anchor for your whole mix. If you ...
Mar 2, 2010 · If you add sum two signals that are identical in level, the resulting level will increase by 6 dB. So if you have a guitar track and a piano ...
Nov 29, 2022 · Your final mix should have levels peaking between -6.0 dB and -3.0 dB. Most mastering engineers recommend keeping the loudest part of a mix at – ...