Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
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Posted: Oct 15, 2021
Posted: Oct 15, 2021
Nov 29, 2022 · Your final mix should have levels peaking between -6.0 dB and -3.0 dB. Most mastering engineers recommend keeping the loudest part of a mix at – ...
Mar 2, 2010 · If you add sum two signals that are identical in level, the resulting level will increase by 6 dB. So if you have a guitar track and a piano ...
Apr 21, 2017 · Mastering is more like surgery where the work is more precise, and you're narrowed down to making only two tracks sound they're best.