Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Duration: 4:05
Posted: Oct 15, 2021
Posted: Oct 15, 2021
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
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Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Jul 30, 2019 · Creating a Pre-Master: Most mastering engineers are happy when I send mixes that peak at around -5 to -3. Whatever peak I choose, ...
Mar 2, 2010 · If you add sum two signals that are identical in level, the resulting level will increase by 6 dB. So if you have a guitar track and a piano ...
I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your ...
Nov 20, 2020 · What DB should I be peaking at before mixing? ... My pre-master mixes are very low in volume highest mix peaks are -8db. ... audio kit. There ...