Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Duration: 4:05
Posted: Oct 15, 2021
Posted: Oct 15, 2021
Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Jul 30, 2019 · Your final mix should have levels peaking between -6.0 dB and -3.0 dB. Most ... mix to sound consistent across different headphones and speakers.
Apr 17, 2008 · Now I have to mix the project. The guidelines I was given by the student says "THE SOUND MUST BE MIXED AT -20 dB". What does this mean?
Apr 21, 2017 · Mastering is more like surgery where the work is more precise, and you're narrowed down to making only two tracks sound they're best.
I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your ...